Archive for the ‘2009’ Category
Magnus Sangild
Magnus Sangild, 27, Denmark
School: The Danish Design School
Department: Product Design
Specials: Furniture & Spatial
Design background
4 years as a cabinetmaker, 5 years at the design school and half a year at Studio/ Louise Campbell – now running my own company in the hearth of Copenhagen making furniture, product and spatial designs.
Important lessons learned during your education
Most important is being independent and believe in yourself and stick with it.
Did you do anything prior to your education to strengthen your skills and to get into your school?
I worked as a cabinetmaker for four years and I had some drawing courses before I applied to The Danish Design School.
Project title
MagicMagnusMountain
Length of project
12 weeks
Concept
Make a furniture with a rough visual layout.
Inspiration
The skerry/rocklike surroundings in and around Gothenburg
Materials
Threaded Carbon Fibers and Epoxy
Keywords for the visual design
Mountain, Tactile, Transparent, Rough, Interaction.
How is your work process when you design?
I often starts with a moodboard showing in which direction I want the process to go, my designs are made with intuition of an interaction between the design product and the viewer and I would like to tell a visual story with my designs. This means that the interaction reflects on some sort of reaction from the viewer, this also being whether he/she likes the piece or not.
Then I start sketching while experimenting with different materials that I already have selected, making small visual drafts showing the main ideas of the concept. Bringing it to the computer where I detail the designs and put dimensions to it – after that I build a prototype in scale 1:1 where I test the materials and proportions.
Which part of the process is the hardest for you to work through?
The first part of the project, for me, is nerve wrecking – this is when I’m not in full control of the process, the project could end up in so many different ways. The best way of describing it, is like being in love with girl. I see myself running around trying different things, ends up disappointed and head down most of the times, but when I find the right path of the design my hearth starts beating really fast and adrenalin pumps through my vains, I get an energy rush that’s indescribable.
What are your strengths?
That I dare to be different and that I make designs that focus on the emotional relationship that emerges from furniture’s with a visual history.
What are your weaknesses?
There are many but to name one, I’m really bad at making beautiful hand drawings.
Do you turn to specific areas for inspiration in general?
Graphic design has always been a huge impact on my designs, also I have gained a lot of tactile input from being in a relationship with a textile designer.
Any designers you find inspirational?
Marcel Wanders, Tom Dixon, Louise Campbell, Thomas Bentzen, Henrik Vibskov etc.
Other students you find inspirational?
Alexander Høst, fashion designer, great friend and a great discussion partner.
Is your work process based on a special approach towards design?
I am very inspired by interdisciplinary exchange and I think the best way to describe my way of designing is a field called “cross over” where design meets art.
Do you have a dream scenario for you and your design in the future?
The dream scenario would be that I can stay independent in all means that concern economy and creativity and still focus on being different.
Has it always been a dream to work with design?
No not really, but since I was 16 though.
Why did you choose this specific specialization?
It came as a natural continuation of being a cabinetmaker and to develop my own design language. Also I felt a responsibility to increase the diversity on the furniture market. For me it is equally important that the product tells a tale and have a very obvious function.
Do you have any other projects you would like to highlight?
Medusa a stool: http://www.magnussangild.com/index.php?/project/medusa/
Creator table and bench: http://www.magnussangild.com/index.php?/project/creator/
Were can we find more information about you?
Contact info
Magnus Sangild
Slejpnersgade 10. 4th
2200 København N
+45 2532 8982
info@magnussangild.com
Benjamin Kolstrup
Benjamin Kolstrup, 30, Denmark
School: Danmarks Designskole
Department: Furniture & Spatial Design
Specials: Furniture.
Design background
1 year at the School of Visuel Arts, 1996-1997 Valby – Cph. Denmark.
3 years doing various graphic odd jobs for Skibby Business Travel and Profil Business Travel 1997-2000.
BA in Design and 3 ½ years at Denmark design School, working primarily with furniture design.
Important lessons learned during your education
Believe in your original intention and idea.
Set your eye steadfast on your goal, but be willing to kill your darlings during the process!
Trust your instincts, work hard – nothing is impossible.
Learn from others and never be afraid to ask for help or advice.
Respect your fellow students and colleagues, no matter what their earlier design experience consists of – don’t be a smart ass, just be smart!
Did you do anything prior to your education to strengthen your skills and to get into your school?
Not really, besides a 2 years student course, this is always good to have I guess!
Took a chance and thankfully got in.
Project title
Chair Force One
Length of project
10 weeks
Inspiration
The construction and shape of the fighter planes from World War II, like the Submarine Spitfire and the Messerschmidt, but primarily the Spitfire, which I think is a beautiful aero plane.
I liked the thought of giving a lounge furniture an association to the shape and form of an airplane, so you could sit in your own private ‘Chair Force One’ and get flown away, while you relax.
Materials
Ash, Birch and pine wood.
Upholstery – cotton, foam and non woven fabric
Keywords for the visual design
The wing and back are meant to lean up against the earlier mentioned expression of an airplane. The wooden frame underneath the main body is inspired by old types of undercarriage on propeller aero planes, but also got inspired by some of Finn Juhl’s work with wooden frames on his chairs.
How is your work process when you design?
Very well structured in the initiating stages – I always do a really big bunch of research and sketching, but then my process very often turns into a totally confusing stage, caused by my craving need to reach very far.
But luckily, I’m a solid worker and a very stubborn striker – I love my profession very dearly!
Which part of the process is the hardest for you to work through?
The part of the process, where you have to make some very decisive decisions to continue the innovative development!
In your experience, are there specific skills that would be helpful to master?
Think it’s a huge strength to have good communicative skills, both verbally and visually, so your presentation of a developed design object becomes as informative, simple and interesting as possible.
Besides the above, learning tools and work methods, in order to strengthen your approach to the design process, so you can bring your product development up to a whole new tempo, quality and level.
What are your strengths?
Odd thinking and generating ideas, sketching on paper – I’m way better with a simple pen, creating form and expressions, than working with 3d drawing programs and it’s so much faster for me.
Stubbornness, passion for the trade, humility and respect for my mentors, fellow students and teachers.
What are your weaknesses?
Ohh…there’s many – you’re your own worst critic as known, but I really stink big time at the earlier mentioned 3d computer drawing programs. My patience regarding my own learning capabilities are really bad. Selling myself and my work at fairs – can do with the work of others, but my own…
Do you turn to specific areas for inspiration in general?
Mainly the design area, but besides that I’m trying to keep my channels for imprints open, in my everyday life.
Any designers you find inspirational?
Many – Georg Nakashima, Wegner and a lot of the other Old Danish masters like Wanscher, kjaerholm, Juhl and so on. Of the more modern designers – Jasper Morrison, Naoto Fukusawa, Patricia Urquiola, Konstantin Grcic, Nils Holger Moorman, Patrick Norguet, Ross Lovegrove and Stefan Sagmeister amongst others.
Other students you find inspirational?
Jenny palmborg, Erik Mattson, Jonas Lundby Jensen, Laura, Signe, Nina, Maria, Jose’, Martin, Sille, Lisa, Caroline, Mette, Hedvig and a lot other fellow students I see or meet during my day at Denmark Design School.
Is your work process based on a special approach towards design?
Even though the deep plate is invented, as our teachers always tell us, I’m continuously trying to create an original expression or story with my work.
Learning by doing!
Do you have a dream scenario for you and your design in the future?
Get to know a lot of interesting people. Keep on learning, developing and getting better to perform my trade and hopefully live of my work one day, very soon.
Has it always been a dream to work with design?
Noooo! Originally, I thought that I want to be a professional football player and all, then an art painter – that was too depressing and boring though. Then it was a human bowling ball and a chef, but then I realized that the design trade was my call and I bloody love it!
Why did you choose this specific specialization?
It felt natural.
Do you have any other projects you would like to highlight?
I’ve just finished a very cool lounge furniture that can be seen at this year’s Stockholm Furniture Fair, called “Chair Force One” which I’m very proud of.
Soon, I’m finishing a brand new dining room chair inspired by Wegner’s round chair.
Contact info
Benjaminkolstrup@live.dk/bekol@student.dkds.dk
Mobile. +4526393526
Christina Liljenberg Halstrøm
Name: Christina Liljenberg Halstrøm, 32, Denmark
School: Graduated The Danish Design School 2007
Department: Furniture and Spatial Design
Specials: Furniture
Design background
After graduating The Danish Design School in 2007 I have participated in numerous exhibitions, lately The Cabinetmakers Autumn Exhibition in Glyptoteket. I also work as a lecturer at PBA Design and Business, Copenhagen school of Design and Technology (Københavns Erhvervsakademi)
Important lessons learned during your education
That litterature is an constant source of inspiration, that trying out all the workshops and learning how to express my ideas in a interesting way.
Did you do anything prior to your education to strengthen your skills and to get into your school?
I was living in Stockholm before I started my education at DKDS. There I went to the Stockholm school of Art and to Nyckelvikskolan. I also worked for one year at a design-studio.
Project title
Mediator
Length of project
2 months approximately
Concept
Two chairs tied together by a piece of textile reminding disagreeing parties to collaborate rather than counteracting. In a case of negotiation, opinions can be very black and white. To reach agreement you have to dare meet your opponent and go into the grey zone.
Inspiration
Dialogue and negotiation
Materials
Steel chairs, organic wool
Keywords for the visual design
The chairs are simple almost pictogrammic so they don´t blur the overall perception of the piece
How is your work process when you design?
I usually start my process by writing and reading a lot, then I start sketching both on paper and 3D.
Which part of the process is the hardest for you to work through?
Probably when I think I am almost there, then I get insanely selfcritic and wonder what the hell I am doing. Then a few days passes with a bad mood and suddenly I find what is missing and I can go on.
In your experience, are there specific skills that would be helpful to master?
I would love to be better at anything that has to do with computers. And practising talking about my ideas and works so that other people find them interesting
What are your strengths?
Working hands-on with many different materials
What are your weaknesses?
Forever computer
Do you turn to specific areas for inspiration in general?
I quite like the french philosopher Gilles Deleuze, who has written some pretty crazy things, but litterature in general is very inspirational. I also like observing how everyday things influence my everyday life and try to work out what to do with that.
Any designers you find inspirational?
I love Henrik Vibskovs weird universe
Other students you find inspirational?
I share my studio with fashion and textile designer Andrea Lehmann Sivertsen, whom I went to school with. We have kind of the same approach to design but we make very different things even though we steal ideas from each other all the time.
Is your work process based on a special approach towards design?
I always have Haptic approach when I design. How materials feel and the way they are connected
Do you have a dream scenario for you and your design in the future?
I would love to go on as I do right now, but with a bit more money involved. And time is also something I lack
Has it always been a dream to work with design?
When I was little I thought I was going to be a fashion designer, then I wanted to be a painter, but I ended up with furniture.
Why did you choose this specific specialization?
I used to carv wood a lot as a child and somehow I remembered that when I got older. I also find working with objects that connects so much to our everyday life very interesting.
Were can we find more information about you?
Soon my website will be up and running again, www.under-opsyn.dk
Contact info
Christina Liljenberg Halstrøm
Marstalsgade 25, 3th
2100 Copenhagen O
chrisliljehal@gmail.com
Caroline Grebasch
Caroline Grebasch, 24, Germany
Exchange at DenmarksDesignSchool - Applied Arts School Schneeberg, Germany
Department: Textile Design
Specials: Printing, Knitting, Graphics
Design background
- 2 years vocational Training with certification as “Assistant for Design” Specialization Graphics
- 1 year internship at Moeve Textiles, Germany
- 1 year internship at Rug Star by J.Dahlmanns, Germany
- exchange semester at the Danish Design School Copenhagen, Denmark
- in February I will start my final semester at the Applied Arts School Schneeberg, Germany
Project title
Textiled Furniture/ Furniture Textiles
Length of project
10 weeks
Concept
I wanted to create a three-dimensional object out of a flat piece of foam by using an easy roll and pull-over principle.
Setting the focus on the foam as a representation of textiles and working after “Form follows Material”.
Inspiration
Formless Furniture made by e.g. Clas Oldenburg or Piero Gilardi and the look of oversized collars in fashion
Materials
Foam, plywood, bi-elastic fabric and rope
Keywords for the visual design
simple, clean, elegant
How is your work process when you design?
Hard, confusing, exciting and always also refreshing
Important lessons learned during your education
To believe in my ideas and actions as a designer.
Do you turn to specific areas for inspiration in general?
The world I’m living in….
Which part of the process is the hardest for you to work through?
To organize my thoughts and set my focus on the right points.
What are your strengths?
Working hard to reach my aims
What are your weaknesses?
Struggling sometimes by finding out what I really want
Any designers you find inspirational?
At the moment: Smeilinener, Germany
Other students you find inspirational?
It is always inspirational to see the work of others or, if it’s possible, to collaborate with fellow students and learn from them.
Is your work process based on a special approach towards design?
I don’t think I can generalize it. It’s different from project to project.
Has it always been a dream to work with design?
I wanted to become a princess when I was a child….
But seriously, yes it always was a dream!
Why did you choose this specific specialization?
I think as a textile designer you have the chance to work in many fields like furniture, fashion, graphic or even architecture…you’re not that fixed and that’s what I like.
Contact info
caro@grebasch.com
Maria Bruun
Maria Bruun, 25, Denmark
Danish Design School
Department: Design master
Specials: Spatial -& Furniture design
Design background
Krabbesholm Højskole, Product Design, s06
BA Danish Design School, s09
Maters Danish Design School, s11
Important lessons learned during your education
Trust your instincts. Do the projects that excites you.
Project title
Soft
Length of project
5 weeks
Concept
Working with the combination of textile and furniture design, creating new inspiring conceptual furniture with strengths from both worlds.
Inspiration
My inspiration was an article in Domus 927, September 09 “Textile is the logics of a soft space”, describing how architecture can advantage from morphing with textile. “Textile allows architecture to be defined along the curved geometries of its skin, going beyond the rectilinear logic of the soft set square” (domus 927). My inspiration became to morph the soft qualities from the textile with the constructive qualities of the furniture.
Materials
10mm steel, 200 m rope pollsterd in grey cotton jersey, with “ felt socks”.
Keywords for the visual design
Transparency….. monolith…..tactility…..movement.
How is your work process when you design?
Experimental. In this case the concept developed from free conceptual form to more functional ideas. I mainly experiment through creating 1:5 models, and determine qualities and weaknesses.
Which part of the process is the hardest for you to work through?
For me, the hardest part of the process is where I have to make the defining decisions about design and construction. Striving for a perfect result these decisions are crucial.
In your experience, are there specific skills that would be helpful to master?
Trust your instincts; learn to communicate your design through sketching and modeling.
What are your strengths?
Creating design concepts.
What are your weaknesses?
When I forget my “gut-feeling”.
Do you turn to specific areas for inspiration in general?
Right now new materials and skills are great inspiration in creating new concepts and shapes.
Any designers you find inspirational?
Cecilie Manz
Is your work process based on a special approach towards design?
I strive to focus on function, aesthetic and innovation.
Has it always been a dream to work with design?
Working creatively has always been a dream.
Why did you choose this specific specialization?
To create shape and function for human usage.
Were can we find more information about you?
mariabruun.com
Contact info
bruundesign@gmail.com
Nina Bruun
Nina Bruun, 25, Denmark
Danmarks Designskole (The Danish School of Design)
Department: Product Design
Specials: Furniture and Spatial Design
Design background
BA in Design from Danmarks Designskole (The Danish School of Design)
Important lessons learned during your education
Follow your instinct and don’t let other people tell you what’s possible. Believe in your idea – that is the most important thing. And don’t be shy to use experts knowledge – it can save you from trouble.
Did you do anything prior to your education to strengthen your skills and to get into your school?
No, nothing other than a short course to improve my drawing skills.
Project title
FOLD
Length of project
5 weeks
Concept
A foldable upholstery chair
Inspiration
Paperfold’s and cuts. Japanese packaging design and origami.
Materials
Plywood, foam, plastic and felt.
Keywords for the visual design
Industrial look, folds and cuts. Soft look combined with a sharp graphic look.
How is your work process when you design?
I spend a lot of time on the research and inspiration phase, then I’ll start to sketch out my ideas, first 2D and then on to 3D. When I have a version that I like, that I feel expresses what I mean, I try to build a 1:1 model, for example in paper, cardboard etc. And then I’ll work on that until I am ready to build my “prototype”.
Which part of the process is the hardest for you to work through?
The part where I have to turn my concept models into “the real thing”. Sometimes I find the technical part of my process very difficult. But I don’t let it constrain me.
In your experience, are there specific skills that would be helpful to master?
I would love to have a cabinetmakers’s training.
What are your strengths?
My imagination, drive and gumption.
What are your weaknesses?
Sometimes it’s my ability to take a decision – my indecisiveness.
Do you turn to specific areas for inspiration in general?
Good crafts, classic Danish furniture design, industrial design, japanese culture and design.
Any designers you find inspirational?
Erwin Hauer, Constantin Grcic.
Other students you find inspirational?
Yes many, I find it especially inspiring to work in settings with other design students – it’s very giving and the exchange is invaluable.
Do you have a dream scenario for you and your design in the future?
Yes. To be able to work and live as a designer, without being forced to supplement my income with a job that I am indifferent to.
Has it always been a dream to work with design?
Yes I’ve always been very creative and designing has been a dream since my childhood.
Why did you choose this specific specialization?
I find it dynamic and motivating to end up with a 3D product in my hands. Though I also do a lot graphic design, illustrations and photography
Were can we find more information about you?
The latest issue (December-January-February) of NYTT ROM (Norwegian Design Magazine), in a design special issue of MS/Berlingske Tidende in the beginning of January and on The Stockholm Furniture Fair 2010.
Contact info
Jonas Lyndby Jensen
Photographs by Peter Hartley
Jonas Lyndby Jensen, 33 years old, Denmark
Graduated from the Danish design school in 2009
Department: Furniture and Spatial design
Specials: Wooden furniture
Design background
Cabinetmaker and 6 years at The Danish Design School including internship at Fritz Hansen design department
Important lessons learned during your education
ECTS points are worthless. If you know which direction your education must go, then make it so – regardless of what the school, the rules or anybody tells you to do
Did you do anything prior to your education to strengthen your skills and to get into your school?
Drawing courses
Project title
Nordic Furniture
Length of project
5 months
Concept
The inspiration for the project came to me after a fabulous dinner at the Danish 2-star Michelin restaurant Noma. Their name is a contraction of Nordisk Mad (Nordic Food) and this is the base for the dogma that is the restaurant’s trademark: All the raw materials come from only Nordic countries (Scandinavia and the North Atlantic islands). I asked myself: Is it possible to transfer the dogma to furniture design? Can I make a series of furniture which exclusively uses materials from the Nordic countries and builds on, but also seeks to renew, the Nordic furniture tradition?
Inspiration
Gourmet restaurant Noma, classic Scandinavian furnitures and nature
Materials
Smoked oakwood, chair seat is upholstered with woven horsehair and the chair back is covered with salmon skin
Keywords for the visual design
A contemporary collection of furnitures with roots in the classic nordic furniture tradition – made in nordic materials
How is your work process when you design?
Sketching, sometimes scale modeling, 3D drawing and full scale prototyping
Which part of the process is the hardest for you to work through?
It can be hard when you feel the good ideas do not seem to come to you anymore. And I have to work faster, not taking too much time making the decisions
In your experience, are there specific skills that would be helpful to master?
Always good to be hands-on with materials and full scale modeling to see correct proportions.
For my part the 3D work and it-skills could be improved
What are your strengths?
Wooden furnitures, prototyping, a sense for shapes and stubbornness
What are your weaknesses?
My stubbornness and I am not good at selling myself or my work
Do you turn to specific areas for inspiration in general?
Classic nordic furnitures, nature and trying to keep an open mind, knowing that inspiration can come from anywhere or anything
Any designers you find inspirational?
Doshi & Levien, Jasper Morrison, Patricia Urquiola, Carl Malmsten, Finn Juhl, H. J. Wegner …
Other students you find inspirational?
Antonio Scaffidi, Mads Johansen, Jenny Palmborg, Jakob Jørgensen, Signe Møller Jensen …
Is your work process based on a special approach towards design?
I would like to have a more specific approach, but I feel my work process can at times seem quite chaotic. However that is what makes the process exciting and different every time.
Do you have a dream scenario for you and your design in the future?
Own furniture studio and recognition. I will be satisfied though being able to live off making furniture design
Has it always been a dream to work with design?
I have dreamt about doing something creative (drawing), but furniture design only became a goal late during my cabinetmaker education
Why did you choose this specific specialization?
As educated cabinetmaker it was an obvious choice, wanting to go the creative way. Also I think furniture making suits my temper
Do you have any other projects you would like to highlight?
Dune lounge chairs and Wooden Spoon chair. Both projects emphasises my style, giving a twist to new nordic design
Were can we find more information about you?
Contact info
jonas_lyndby_jensen@hotmail.com
(0045) 28125099
Yukari Hotta
Name Yukari Hotta, 30, Japan (living in Denmark, Copenhagen)
Graduated from Denmarks Designschool in 2009
Department: Furniture and Special Design
Specials: Product Design
Design background
2 years course at an Illustration and Fashion school in Tokyo.
3 years at Kolding design school, Industrial Design dep.
2 years at Danmark Design school, Furniture and Special design dep.
During then, I had worked at Leif Joegensen`s studio BS architects as a design trainee and now I am back to his studio and working as a designer.
Important lessons learned during your education
How to deal with problems. Especially unexpected one.
Project title
KILE
Length of project
1 semester. (5 months)
Concept
To design storage furniture for home use and which can be adapted to regular changes. it is simple enough to be assembled and disassembled to suite to our life style.
I wanted to create storage furniture with an impression of warmth and a friendly feeling which can help to make a room, an apartment or other living space more cosy and bright
Inspiration
Old wooden architecture, classic furniture, Japanese woodwork, art, design and the nature
Materials
Ash wood, birch plywood and MDF
Keywords for the visual design
Simple, functional and long-lasting
How is your work process when you design?
It is really depend on the project I think.
But lots of drawing and model making, trying to get my thoughts and feelings out on paper and see what happens when taken through a 3d program and later as a model.
Which part of the process is the hardest for you to work through?
Killing my darlings.
In your experience, are there specific skills that would be helpful to master?
Everything is helpful..but especially knowing about materials I think.
What are your strengths?
I don’t give up so easily. Keep on keeping on.
What are your weaknesses?
I like sleeping.
Do you turn to specific areas for inspiration in general?
Nature, music, animals and from my daily life.. even from the food i eat..
.
Any designers you find inspirational?
Tokujin Yoshioka, Naoto Fukazawa, Bouroullec brothers, and of course a lot of great Danish designers.
Is your work process based on a special approach towards design?
The way I work is different from time to time depending on the project and materials. Every day and project is different. luckily
Has it always been a dream to work with design?
I wanted to work at a bakery when I was little..
Why did you choose this specific specialization?
Because I love to “make” something which you can touch, feel and use.
Were can we find more information about you?
My web site
Contact info
hello@yukarihotta.com
Jenny Palmborg
Jenny Palmborg, 28, Sweden – HDK, Sweden
Department: Design master
Specials: Furniture
Design background
2 year at Stenebyskolan, Metal handcraft in Sweden
1/2 year at KV, Art and space
1/2year at Stenebyskolan, Form and design
3 year furniture design Denmark Design school
Right now I’m in my first year at HDK Master in design in Sweden
Important lessons learned during your education
Learning by doing and not by thinking.
Project title
Spader Dam
Length of project
9 weeks
Concept
Not working with textile directly wrapped tight around the furniture item as a last step to give it finish. Instead I want to let the textile be the base for the furnitures form.
Inspiration
The fashion world. I’m attracted and lured to fashion designs playfulness with the textile material, how a fashion designer can go in and manipulate the body’s shapes with help of the material.
Materials
Form fixed polyester, Velour and black stained Ash.
Keywords for the visual design
Feminine, elegant, strong and exclusive
How is your work process when you design?
Hard, frustrating, incredibly exciting and fun
Which part of the process is the hardest for you to work through?
The start; sorting my thoughts to put the concept together.
In your experience, are there specific skills that would be helpful to master?
To be really good with your hands…. humm… and to be a bit naïve – you can’t ever think that something is to hard, to difficult or takes to long.
What are your strengths?
Extremely stubborn
What are your weaknesses?
One second every thing is crap next second it’s heavenly perfect and the second after that every thing just useless again ….a bit moody.
Do you turn to specific areas for inspiration in general?
Right now I feel like there is a big ocean of inspiration in the fashion industry and world of textiles.
Any designers you find inspirational?
Other students you find inspirational?
Tilde Bay Kristoffersen – Fashion student at the Danish Design School
Is your work process based on a special approach towards design?
Design and art mix together.
Has it always been a dream to work with design?
It started when I was in my late teens, but it took a couple of years for me to build up the courage to admit it even to my self.
Why did you choose this specific specialization?
I’m intrigued by the sculptural tree-dimensional world.
Were can we find more information about you?
Contact info
jennypalmborg@hotmail.com
